In each of these very different projects, Sciamma has struck an accessible chord by focusing tightly on specifics, finding the key to universal appeal in the unique, tiny details of each story and character.įor her fourth feature as writer-director, Sciamma ventures to a new world of the late 18th century. Her impressive screenplay credits include Claude Barras’s My Life as a Courgette, a tenderly empathetic, French-Swiss stop-motion masterpiece that earned an Oscar nomination for its vividly resilient depiction of children in care.
Having made an arthouse splash with the Euro-hits Water Lilies and Tomboy, she wrote and directed Girlhood ( Bande de filles), a breathtaking portrait of modern “banlieue life” that completed her “accidental trilogy of youth”.
What a thrillingly versatile film-maker Céline Sciamma has proved to be.
